Photographer Kristen Caudill, a winner of Chris Cornell’s Talenthouse Creative Invite, plays many roles in life. These include concert photographer, mother, and Seattle grunge lover. In her role as a fan, she’s seen Pearl Jam over 50 times. As a photographer, she’s captured everything from newborns to a last family portrait for a beloved friend dying of cancer. And after winning this Invite, Kristen got to photograph Chris at his Borgata concert in November 2011. Here’s what she has to say about the experience, and what it’s like for her as a creative artist in general:

TH: What drew you to participate in this Creative Invite?
Kristen: My friend told me about the contest. She knew that I shot some photos of Chris at his show in DC that we attended together a few months ago. I thought, heck yeah!! You never know, I may actually win this!!

TH: What did you hope to capture with your submission, “With Bowed Head and Humble Offering”?
Kristen: At any normal show, unless you are up front in the first few rows, you can’t really see the performers’ personal expressions. You can only see a distant perspective of the artist.  With this opportunity, I had the chance to be up close and personal, to see a more human, intimate side of Chris. I was able to see and capture his facial expressions, the emotion of the stories he was telling and the songs he was singing. I didn’t have to nervously shoot quickly in order not to be caught with my camera. (Wink, wink.) My ultimate hope would be for Chris to see these images and love them, even hang them in his home. With this opportunity, he does know about my work and it would be super epic for him to contact me and tell me what he thinks.

TH: How was your winner experience photographing Chris at the Borgata? What did you gain as a result?
Kristen: Wow — talk about nerves. This was such a huge thing for me. I loved Chris’s music, he’s such a natural talent. I felt honored and total validation that I achieved something through my talent. I gained an appreciation for photojournalists who are given the privilege to have that level of access to artists as they perform. It was like a personal invitation to capture Chris’ intimate performance. That’s a cool feeling when you’re such a big fan and have such an appreciation for a talented artist. His art allows me to do my art.

As I was shooting, I was sitting in the aisle and some of the fans would say “what a cool job, who do you work for” or “can I get a copy of those pictures.” A few fans actually gave up their front row seats to let me capture some images of Chris. That was really awesome. I’ll never forget their kindness. Being a HUGE Pearl Jam fan, follower, groupie, I know what it feels like up front with the rest of the big fans. It feels like a family. Surrounded by great people who know how to rock. On a side note, I totally felt like a rock star when one of the security guys asked me to put away my camera. I just pointed to my press pass and he went away. That was pretty cool.

TH:  What inspires you as an artist? Do you have a favorite subject or theme for your photography?
Kristen: My inspiration comes from other photographers I study. I love challenging myself and a lot of times I am my own inspiration. I can see myself growing as an artist and that kick starts a whole new appreciation. It’s like the fire in my soul. The ultimate inspiration is feedback from others, especially my family. My parents are the hardest working people I know. When they are proud of my work, that is inspiration in itself.

I love shooting bands — especially Pearl Jam. I’ve seen them over 50 times and try to always take my camera with me. Music is very influential. Not only do I love to see live performances but I love to listen in the car, while I’m editing photos, any time. The Seattle grunge music is in my blood, part of my soul.

My latest work has been maternity & newborn photography. There is nothing like an expecting mother, and then the newborn baby she has carried with her for 10 months. It’s amazing to see that bond and capture their tiny little fingers, toes and sometimes smiles. It’s irreplaceable and timeless.

TH: Is there a project that has left a special place in your heart?
Kristen: This summer I lost a very close friend of mine, Tim, to brain cancer. He was 31. I was able to give him and his family one last family portrait before he passed away. This will forever be a special gift that I was able to give them. Please help to fight cancer, I’ve lost 3 people just this past year.

TH:  How do you continue to develop your skills as a photographer?
Kristen: Constantly shoot. My 16-month-old son Liam is my favorite subject these days. He amazes me daily. With my camera I can capture these precious moments in time. I also like to shoot nature, local bands, and of course have my clients for weddings, families, lifestyle portraiture including families, maternity, children and newborns.

I attended Cecil College’s Visual Communication Program and studied with some very talented local photographers, along with awesome teachers and instructors. I’m grateful for my education at Cecil. Constantly keeping up with Professional Photographers of America, attending seminars, webinars and trading secrets with other photog friends. After all, practice makes perfect.

TH:  Have there been any major influences on your work?
Kristen: Ultimately, my influence comes from my family. I’m surrounded by both sides of my family who are incredibly supportive. Growing up, I’ve been given the confidence and support to be able to achieve and do what I love. My aunt, who has been an avid Bob Seger fan since I can remember, was my ultimate influence with my interest in rock and roll. Every day she listened to Bob and showed me that it was okay to rock out in the car. I love her for that. From there, I found my favorite music with Pearl Jam, Soundgarden, Alice in Chains, Nirvana and Neil Young.

In addition, I live in rural Maryland, almost an hour from Baltimore and Philadelphia. I love my little county. I love to focus on doing portraiture at local venues like parks and local businesses. In this economy, we all have to stick together and support one another. I also love that we have the beautiful Susquehanna River and were far enough from the big lights that we can still see the stars at night and have peace and quiet.

TH:  How did you develop your passion for photography?
Kristen: My whole life I’ve been surrounded by photography. Growing up as a little girl, I would go to work with my mother and her co worker took my picture every day. My grandfather always had an interest in the family history; I think that is why he would go through all the family gatherings, and take a picture of each person or couple who attended. I guess to him it was a way to historically document the family for the next generation.

Then came my own wedding. After I saw my wedding photos, I was amazed. Every second captured. Every beautiful memory I could hold on to forever.  I lost my father five years ago and my wedding photos were some of the best. I will cherish those for the rest of my life. I honestly think that all of these instilled the love and importance of photography. Without them we wouldn’t have so many memories.  Images are directly tied to our memories and will last beyond our lifetime.

To view more of Kristen’s latest work, check out her:

Website | Blog | Facebook

10 semi-finalists will be selected by the hosts and announced on April 6. They will then be flown to Los Angeles and shot by a world-renowned photographer. Their photos will be featured on the brand’s social media sites, bcbg.com, and in boutiques.

The grand prize winner will receive $5000 in BCBG merchandise and be featured in the brand’s 2013 spring campaign.

The highest voted artist of the 10 semi-finalists will receive BCBGMAXAZRIA merchandise valued at $1000 and have their submission featured across the brand’s social media channels.

We hope you’re as amped up for this Invite as we are! Spread the word and be sure to submit by March 21, 2012.

The winner will perform at GeneratioNext in New York next month, hosted by HOT97 radio personality Peter Rosenberg. Highlights of the winner’s performance will be featured and promoted on GeneratioNext and DJBooth‘s social media channels. Travel and one night’s accommodation will be provided.

One runner-up as selected by GeneratioNext and the highest-voted submission will have their work featured on GeneratioNext and DJ Booth’s social media channels.

This is a great chance for exposure! We look forward to hearing your submissions. Submit by February 22.

Now, Tomorrowland, together with guest photographer Ryan Dinham, is inviting photographers to submit for the chance to be selected as the official photographer for the festival. Travel and four nights’ accommodation in Belgium in July 2012 will be provided.

The submitted photographs must capture the spirit and essence of the euphoric festival, as portrayed in the provided trailer, whilst incorporating a fairytale theme.

Reach

The reach with social media is nearly infinite and free. There are more than 800 million people using Facebook and more than 300 million people Tweeting. All of these people are potential fans, within reach, and connecting with them can be done at no cost to the artist. Using Facebook and Twitter requires little effort from artists, all that is needed is new, interesting content on their page or an engaging Tweet and the fans do the rest of the work by re-sharing, extending the artist’s reach even further.

Connection

Social media platforms, Twitter especially, allow the fans to have a “personal” connection with an artist. Fans don’t just follow an artist, they can actually interact, Tweeting directly to an artist and often getting responses. This kind of platform engages the audience and helps build the artist-fan relationship.

This project reached 4,393,242 people. Active participants averaged:

• +63 New Supporters
• +139 Shares & Comments
• +10,894 Social Reach

With his minimalistic light-centered approach, Erik Highland became a winner in Talenthouse’s Creative Invite and earned himself the chance to photograph rocker Chris Cornell during the ‘Songbook’ solo tour’s stop at the Steifel Theater in Salina, Kansas. But photography wasn’t Erik’s first chosen career. In an interview with Talenthouse, Erik talks about his artistic influences and how he made the transition from video to film.

TH: Where did you develop your photography skills?
EH: I’m self taught. I came out of the video production world and worked with one of the greatest DP’s in the business (Charles Gary) and he only lit film style with hot lights. I also had the pleasure of watching Matt Mahurin work several times. Both of these guys loved to build the contrast in their work. It’s crazy because one would use just one light – while the other used every light on the truck to paint a delicate picture. So I studied them and then also read up on people like George Hurrell (old school Hollywood portraits) and Norman Seef and just experimented a bunch.

TH: Tell us a little more about your experience with Charles Gary and Matt Mahurin. How did you come into contact with these artists? What was your experience like working with Charles Gary?
EH: I’ve worked with Charles Gary for over 25 years now. He’s a true artist that paints with light. He sees things differently than most people. He started with film (stills) and then made the switch to video, but never left his film sensibilities behind. We met while working in television at the local Fox affiliate. I was the Creative Director and he was the Director of Photography. We all thought he was nuts at first because he would literally have every light off of the grip truck to illuminate even the simplest of subjects… These were tungsten, “hot lights” as we called them. But then you would step back and look into the frame and it was just amazing. This guy would paint these unbelievable pictures, and this was video not film. He actually made video look like film by using techniques he used as a still photographer.

He was way ahead of his time. Now, cameras are so adjustable you can almost dial up a film look or a 24 frame shutter speed – but back then you had to have a bag of tricks, and he had them. He’s the one who also taught me about negative fill. It’s something I try to incorporate in most of my portraits… It’s what’s not seen that makes for the most interesting photographs. That moment in time where you know there is something lurking beneath the surface of your subject. Like watching an old concert film where there are still shadows and mysteries on the stage as the performers duck in and out of the light. That fascinates me – not what’s seen. Not the HD video concert lighting of today. There is nothing left to the imagination because everything is lit up and the camera’s depth of field is so great we’ve lost the mystery. Charles was the one who, despite all of the commercial criticism, showed me that.

And this was all done before everyone was a Photoshop expert. I’m still not that great at Photoshop so I guess I’m old school because I try to capture the best image possible IN the camera. I have a good friend who is a brilliant Photoshop photographer, and what I mean by that is that she can make a cloudy, crappy day look sunny, warm and brilliant. She has told me many times that she could care less what the lighting is like because she can fix it all in Photoshop – and does. Her work is fantastic. But I can’t work that way.

When it came to building contrast and mystery in a shot or video Matt Mahurin and his DP did the same thing as Charles Gary. Their videos were all about what’s not seen, what’s lurking beneath the super heavy contrast and shallow depth of field. There is mystery in his work and that intrigued me. Still does. As a PA I only got to work with Matt on a couple of music videos but I also learned more how to run a set and work with clients from watching him. He was brilliant. Never too stressed, never out of control, (like a few other directors/dp’s I’ve worked with) only solutions. If you only had one working light – well, then that’s what he would use. I try to be a solutions guy. Every shoot will have its difficulties but instead of losing your mind and freaking out – take what it gives you and use it to your advantage. You will be amazed by what comes out in those happy accidents.

TH: What made you decide to leave video production, and has the transition between careers been difficult?
EH: Everyone and their mother started getting video cameras. And then all of the reality shows started coming out. It did two things, dropped the price of productions and took a bite out of the quality imaging. As long as there was an image on the tape then everything was okay. It was a paradigm shift in production because everyone had a camera and a computer editing system there was no perceived value in the craft. And then what put the nail in the coffin for me was that I pitched several TV shows to some prominent networks and they ripped them off. The shows are still on today! That was it. I said, “I’d had it.” I still do at least one video a year. Invariably, someone will talk me into it. I decided to take my still camera and put it to use. I love advertising and marketing so I thought maybe there was a way I could combine the two. I don’t get to do as many artists as I used to anymore – but I do get to do a lot of photography for my own clients. Those images are usually used on web sites, POS, print material, etc. I save the fun stuff for my own portfolio.

TH: What did you aim to capture with this submission?
EH: I wanted to capture something unique – that grabbed an expression of the artist. Let’s face it, everyone can get the standard concert portraits (and I did as well) but I wanted to give Chris something he might not have seen before.

TH: You said in your description you took this photograph without using after effect. Can you tell us a little more about this process?
EH: Again, we had to do something “live” because they needed the images in 24 hours so there was no time to process the photos extensively.

And, truth be told, I’m not the greatest Photoshop guy in the world so my images are usually what you see is what you get. I started experimenting with some creative ideas in low light situations (which this was) while shooting some jazz musicians in NYC. And I thought this technique would work well for Chris. It might seem easy to some – but it’s still all about getting the motion correct, the exposure correct and the zoom snap properties right on the money. I would have loved to use a single strobe to just to illuminate Chris’ face a touch – but there is no strobe or flash allowed so I got what I got.

TH: Your website shows a range of subjects from fashion, to music, to family portraits. Do you have a favorite type of work?
EH: Working with musicians is by far the greatest fun. They are creative, open, and let me do what I do best, without question. They trust the end product, even if I’m taking one tungsten light and placing it in their lap. I love creative portraiture, if the subject is open to experimentation. My photography is my love but not my career (unfortunately) I use it to augment my Marketing and PR business. I still do some motion work as well – you will see on www.erikhighland.com the video as well as the still work.

TH: How has your cultural/regional identity influenced your work?
EH: I’m in the Mid-Coast – so there isn’t much in the way of musicians or rock bands that hang out here… I’ve had to adapt and learn to give clients what they want (and need) while still trying to hang onto my artistic integrity. I get to NYC as much as possible to see what the great photographers are doing. I’ve got so much to learn. I can only do what I know and looks and feels right to me and hope that others enjoy it.

TH: Where do you find inspiration?
EH: From my cat, my kids, the world… Everywhere. When I’m in a funk – I pull out the the Norman Seef book, or Hurrell’s Hollywood Portraits, or Demarchelier, or LaChappelle… they are all masters and get me pumped up.

TH: How would you say you have changed as a photographer over the course of your experience?
EH: I am mellower. I still fret over every shoot. But when I’m in it, I try to just focus and let it happen instead of panicking over every detail. Over the years, I’ve really struggled with trying to make sure there is value in my creativity. In a small market you sometimes end up discounting that for the work. I’ve had to realize that there is value for experience, creativity, and most importantly, my eye. It’s liberating knowing that I bring a unique perspective to the table.

Congrats to Erik on his well-deserved win! We hope to see more submissions from him in the future.

Warner Music Group is inviting musicians to submit a video of their best performance for the chance to play live at ‘The Warner Sound captured by Nikon’ this March!

The winning band or musician will not only perform at the exclusive event, they will also receive travel and three nights’ accommodation in Austin, TX and a new Nikon 1 J1 camera kit.

That’s not all! A runner-up (as selected by Warner Music Group) will receive Nikon equipment valued at up to $1000 and the People’s Choice (chosen by the voters) will receive Nikon equipment valued at up to $2000.

This Invite is only open to U.S. residents and you’ll have to act fast as the last day for submissions is February 20th. Don’t waste another minute!

You may encounter some guilt over asking your loved ones for donations, but we’re assuming that you’re making this project because it represents something that you believe in and want to share with the world. Filmmaking is never just a job. It represents a passion and the chance to influence its viewers.

2. Use a team and their best assets

There’s a good chance you’re not going at it alone in your filmmaking ventures. Everyone in your crew is good at a few things. Do you have someone on your team who’s a particularly strong editor? Writer? Maximize your presentation by utilizing their skills for editing great footage to show and providing a tantalizing plot description.

3. Develop a plan

You don’t have to launch a massive campaign all at once. Plan out the different phases of your campaign and allow it to build upon itself in baby steps. Release clips regularly to keep interest brewing. Build an e-mail list, update your social media channels regularly so people know when to expect fresh data on your fantastic project and get anticipatory warm fuzzies in their toes, and, if you can afford it, consider giving out incentives to your donors.

Filmmaker Jennnifer Fox, who used Kickstarter to fund distribution for a finished film, held screenings in key locations to draw additional interest to her project.

4. Make a good trailer

Many would say that this is your project’s most important advertisement. Make your film’s narrative easy to understand and enticing in the trailer.

5. Regarding incentives…

It would be ultra-cool if you could make your incentives relate to your film somehow. Fox’s most successful incentive was a special edition DVD of her film, which sold for $108 in September 2011. She also sold a commercial DVD in 2012 for $25.

6. On writing

Fox found that her longer messages, which she initially edited into small, brief paragraphs, actually drew more positive feedback and donations. By noting the difference and adjusting her style, she was able to attract more attention – and her updates became a new creative outlet for her.

7. Partner up

Fox’s film, My Reincarnation, appealed to an audience with interest in Buddhism, so she gave free screening tickets to the heads of organizations whose membership would likely be interested in seeing her film. In exchange, she asked them to send out an announcement in their newsletters.

She also started a web series of outtakes from the film to ignite buzz. She posted these in her regular eBlasts.

8. Your friend, social media

We know we talk about social media a lot, but there’s a reason. It’s your friend. As mentioned in Tip 3, you’ll want to be consistent with your updates. Also post on forums or blogs that relate to material and themes your film touches on.

9. Advice for eBlasts

eBlast regularly, and try to get them out by Monday or Tuesday of each week to avoid typical inbox clutter. It may take a few notices to get people to head over to your Kickstarter site, so don’t give up if the response is lukewarm at first.

10. Learn to reach

This is the time to abandon your comfort zone. Think of the hard work you’ve dedicated to producing this film, whatever stage it’s at. This is the time to be brave and abandon your hangups. Like most things, this will be a learning experience.

“It requires you to let go and not listen to your ego so much,” Fox writes. Try your hardest not to take rejection personally, know when to back off if a donor is particularly resistant, but also try and give them new reason to change their mind.

Read more at the Future of Film.

Best of luck on your journey! We want to hear any extra tips you have to share.

Photo credit: Aphrodite

This project reached 1,409,129 people. Active participants averaged:

• +143 New Supporters
• +340 Shares & Comments
• +40,983 Social Reach

To commemorate the release of Quadrophenia: The Director’s Cut, legendary rock band The Who allied with Talenthouse in the search for the perfect bit of film to be produced as the official music video for their hit “5.15.” As a rock opera, studio album, and film, Quadrophenia is a wild exploration of generational and cultural identities and conflicts taking place in 1960s England. Titled after a train, “5.15″ (aka “5:15″ or “5’15″) is a tumultuous tune caught in the middle of it all, as Quadrophenia’s protagonist Jimmy travels from London to Brighton.

Transience being the name of the game, Talenthouse member, illustrator, and active father Jeff Rodenberg decided to play to his strengths.  A talented canvas artist, he filmed himself painting a multi-layered portrait of The Who to the sounds of “5.15.” With the time lapse technique, viewers can see Jeff deftly create layer after layer of painting, from a foundational skull to the smiling faces of members of The Who. No one layer dominates the frequently shifting portrait, and without giving too much away, Jeff’s music video culminates in a rock-worthy ending.

Jeff’s work clearly struck a chord with The Who, because the band members personally chose his submission as the winner. This honor, from artists to artist, signifies that Jeff will work with Universal Music Group’s marketing team to finalize the video, which will be featured and promoted on thewho.com the Who’s social media channels. He will also receive a Fender guitar signed by none other than Peter Townshend and a Quadrophenia: The Director’s Cut Boxset, as well as $2,000. We interviewed Jeff after his surprise winner announcement.

TH: How did you become involved with this Creative Invite?
Jeff: I saw the Creative Invite on The Who’s official website, which led me to the Talenthouse website. I am a fan of The Who, so this opportunity really intrigued me. Before I started filming I spent a lot of time doing research, finding reference photos and drawing sketches. I knew that I had to get this right in one take, so I made sure that I knew exactly what I was going to do when the camera was rolling.

TH: Capturing on film the act of painting with multiple layers as an homage to Quadrophenia proved a terrific concept.  What lead you to combine your canvas art and cinema?
Jeff: When I was a kid I enjoyed watching painting shows on PBS. I was fascinated watching the process of someone painting a picture in half an hour. I did the painting in layers because I wanted to give the impression that this was one person split into four parts, or conversely, that these four talented individuals came together to form the single entity of The Who.

TH: How did you gain your artistic skills?
Jeff: Lots of practice and perseverance. I enjoyed drawing and painting from an early age, and I remember checking out as many drawing books as I could find at the library. I received a BFA in Illustration and spent twelve years as a digital artist illustrating textbooks.

TH: What role does your cultural or regional identity play with regard to your creativity?
Jeff: I have German and Dutch ancestry, so perhaps a small portion of skill and talent from the old Dutch Masters has trickled down to me genetically.

TH: Any fond memories involving the music of The Who (besides this recent one) that you’d like to share?
Jeff: I really got into The Who when I was working as a textbook illustrator. I would listen to music on my headphones for eight hours a day as I worked. I think I bought every Who album within a period of about six months. I particularly enjoyed “The Who Sell Out”, a really fun album that made my day go by faster.

TH: Do you have any other pursuits, interests, or hobbies?
Jeff: I have four-year-old twins at home, so I feel fortunate just to find time to paint in what little spare time I have. I also enjoy biking, hiking, cross country skiing, reading and listening to music.

TH: What’s your dream project (beyond this one), or what are a couple of your dream projects?
Jeff: I’d be happy just to be able to earn a living painting, and I’d love to paint the cover for the next Rolling Stones album. When I have enough paintings finished I’d like to have a solo exhibition in a gallery and have a book of my work published.

TH: What’s it like being an artist and a father?  Do your children share your interest in the arts?
Jeff: I left my job as a textbook illustrator after twelve years to become a stay-at-home dad in 2008. After a couple years, being home with the kids all day really started taking a toll on me emotionally, so in 2011 I started painting as a way to regain some sense of balance in my life. So I’m much happier being an artist and father, rather than being just a father. My daughter has really shown an interest in painting, and she likes to tell people “my daddy and I are artists.”

TH: What is one (or more) of your favorite subjects to portray in art and for what reason(s)?
Jeff: I’ve always enjoyed drawing and painting people. It’s a challenge for me to try to capture an emotion in someone’s expression, and there is such a variety in people’s faces that it never becomes boring for me. I enjoy listening to music, so my current focus has been painting a series of famous musicians.

We wish Jeff continued success as a proud father
and accomplished artist of both film reels and brushstrokes!

This project reached 9,838,872 people. Active participants averaged:

• +58 New Supporters
• +131 Shares & Comments
• +15,548 Social Reach

UGG® Australia created the Art & Sole initiative to benefit a different charity every year. For their ninth annual event, this time benefitting the Boys and Girls Clubs of America, UGG turned to Talenthouse to discover a special designer. Imaginative individuals such as Manolo Blahnik, Liv Tyler, Betsey Johnson, Mariah Carey have used their artistic skill to dream up unique UGG boot designs – and after winning Talenthouse’s Creative Invite with UGG®, Buket Pamuk of Turkey has joined their ranks!

After a surprise winner announcement and video introduction, we have followed up with Buket to learn more of her inspirations and aspirations alike.

TH : How did you become involved with this Creative Invite?
Buket : Well, I was out one day with my friends and I heard them talking about this contest. When I came home that night, the first thing I did was research the contest and Talenthouse. After some research I knew that I wanted to enter it.

TH : How did you develop your artistic skills?
Buket : I feel as though my professors at my school helped me realize that I have some talent. I realized after entering different art events that my art skills were slowing developing.

TH: Where do you find inspiration for your work?
Buket : For this specific design I was inspired by children in need. Also, I used a puzzle because I know children love to play with puzzles and love colors.

I really just concentrated on the design itself and used my vision of the children of the world to help complete my design. Before starting my design, I wanted to figure out a way to describe the lives of children in need. I thought that each puzzle piece would represent one child and I left one puzzle piece blank with a question mark. I want this puzzle piece to represent hope. These children should never lose their hope.

TH: Do you have any personal websites or other media links that you would like to share with our readers?
Buket : Here are my Facebook and Twitter links. I would like to collaborate with other artists.

TH: What advice do you have for people who are in need of inspiration?
Buket : My main advice for people who need inspiration is to constantly search for a specific cause. There are so many causes in our world today that need awareness. For example, they should use animal rights and human rights to find inspiration. If we show awareness, we are helping provide a better future. Also, they should always know that they should never lose hope and always keep dreaming. If they continue to believe in themselves they will reach their goals.

TH: What other submissions got your attention?
Buket : Murat Inan’s design at the “Design a t-shirt for Kylie Minogue and Dolce & Gabbana” Creative Invite caught my attention. I also found the Panda print design by Rose Wood for the UGG Australia contest very beautiful and interesting.

TH: Do you have any other pursuits, interests, or hobbies?
Buket : I love to listen to classic music, dance and read books about different topics. I also love to watch theatre plays, write and attend concerts. I love being involved in fine arts.

TH: What’s your dream project (besides this one), or what are a couple of your dream projects?
Buket : Currently, I do not have a project going on. However, in the future I hope to believe involved in art projects that help promote World Peace.

Congratulations to Buket on her winning design!
We will keep you all informed as UGG® Australia transforms it from concept to finished work of art.

This project reached 4,812,746 people. Active participants averaged:

• +45 New Supporters
• +102 Shares & Comments
• +15,371 Social Reach

Bus windows and wooden frames? Why not? They may make for unconventional canvases, but somehow the end product is always fantastic when art student Cedric Cha is the illustrator. Cedric is the winner of the Design for Switchfoot invite, and his dexterity with pen and paper is matched only by his incredible eye for detail. And, boy, is there detail in “City of Vices & Verses,” Cedric’s winning submission. (Fact: it took 4 hours to draw.) But it’s really the spirit of social consciousness found throughout his work that brings those details to life. Here, we asked Cedric to talk a bit more about his artistic inspirations and philanthropic ambitions.

TH: Tell us how you got involved with the Design for Switchfoot invite.
Cedric: I first got news of the contest via Switchfoot’s Twitter, and being the Switchfoot buff that I was, I decided to take the opportunity that had provided itself (with much contemplation and procrastination). I’ve been a diehard Switchfoot fan ever since I was handed a “The Beautiful Letdown” cassette (yes, that long ago!). The band has been and always will be my all-time favorite. Some of my biggest dreams involve Switchfoot: watching them live, meeting the band, designing for them, and designing art for a Switchfoot album. As of today, 3 out of 4 dreams have been met (I still haven’t designed art for a Switchfoot album YET). All this is still pretty surreal… it hasn’t fully kicked in. But I am happy, thrilled, and truly grateful for this opportunity to see a lifelong dream come true.

TH: Could you walk us through the creative process for your submission?
Cedric: The story behind the hoodie lies in the title track of “Vice Verses”. It is a beautifully profound and powerful song. While preparing for my submission to the contest, a friend was going through a trying time of hurt, loss, pain, confusion, and frustration. All those emotions were summed up in the verse of Vice Verses that questions, “Where is God in the night sky? Where is God in the city light? Where is God in the earthquake? Where is God in the genocide?” Much like the chorus of the song that goes on to say, “I know that there is a meaning to it all…”, I told my friend this: Life may be confusing, but hang in there long enough and you will see that you’re part of a bigger, beautiful picture.

All these ended up being reflected in the hoodie design. I decided to stick with my creative strength in illustration, and everything else was pretty much a “take it as it goes” thing. Improvisation and flexibility were required to complete the design. In 4 hours, with a simple ink pen on plain paper, tiny buildings began to come together to form something that made sense. What seemed to be meaningless and unimportant turned out to be an essential part of a “bigger, beautiful picture”.

TH: What kind of design work do you enjoy most?
Cedric: Without a question, illustration! I love working with my hands and while I fail terribly in handiwork and craft, to illustrate and create something as powerful as a graphic – whether it be a logo, character, or even a doodle – it’s a pretty cool thing to do.

TH: Do you have a favorite medium?
Cedric: I’ve drawn on sketchbooks, digital drawing tablets, wooden frames, canvas sneakers, bus windows, and others, and I’m always up for trying something new. However, it is always nice to go back to simple things – like an ink pen and plain paper – once in a while. I love drawing freehand, pen on paper. The more detailed the better, not because I replicate the details perfectly, but simply because there’s more fun in the challenge found in the details.

TH: Is there a piece you’re proudest of?
Cedric: As of today this hoodie would definitely be the winner! Some of my favorite work are the ones for people dear to me. Art that comes from the heart is always the most enjoyable and meaningful. (And I should be a poet.)

Another of my favorite and most enjoyable work is “Planet of Symmetry,” reason being how unique and “untypical” of me the style of that piece was. It was also a personal project so that meant no crazy clients (ha) breathing down my neck and that made it an enjoyable working process.

Planet of Symmetry is a thought. A thought exploring what a perfect and orderly world would be like. The words in my head as I worked on this piece were, “In a symmetrical planet, everything would make sense”. Another source of inspiration for this piece came from the song “Perfect Symmetry” by Keane, which sings, “I wish I could make sense of what we do… Who are you? What are you living for? What are you fighting for? This life is lived in perfect symmetry.” As far as symmetry and concentricity was concerned, I used one of my favorite shapes, the triangle. This piece was solely worked on digitally due to the simple fact that I wanted it perfect. It was definitely one of my more personal and meaningful pieces. (Ask around… I’m not usually this deep… haha!)

TH: Who, or what, do you turn to for artistic inspiration?
Cedric: I find my artistic inspiration in people. What people say or do. What people look like. Family, friends, anyone, and everyone. I am also heavily influenced by art and music. To name a few graphic artists: Lehel Kovács, Brandon Boyd, James Jean, Chris Wahl, Derek Gores, and bands/artists such as Switchfoot, Coldplay, Mute Math, Death Cab for Cutie, Mumford & Sons, Copeland, and many more.

TH: Are you self-taught or have you taken classes before? Either way, how did you cultivate your talent?
Cedric: Most of my skills were developed as a child. I was raised in a family that encouraged expression and creativity, for which I am eternally grateful. I was always doodling and drawing on stuff as a kid (my family was supportive most of the time), and as I grew, my work evolved from doodles to copies of other people’s art, and over time, with much practice, it has become what I call my art – my designs and illustrations. Years have passed and I am currently in art school. I try my best to treat every day as a lesson to learn (one of the most important lessons I’ve learned) and to take every opportunity to refine and advance my skills.

TH: What do you hope to do upon graduation from art school? Any particular dreams or goals in mind?
Cedric: It’s always been a dream of mine to use my art to help the less fortunate. (It’s partly why I was extra attracted to this invite.) Art is a powerful catalyst to provoke change, and change, whether to an individual or the masses, is worth the time, effort, and enthusiasm. I don’t think there’s a better way for people to use their gifts and talents than to make the world a better place with them.

Whether it be designing a poster for a charitable event, painting a community wall mural, or setting up a t-shirt label to raise funds for the less fortunate, I believe charity can look good. It doesn’t have to be restricted to boring typography, cheap graphics, or even religious guidelines. Some organizations that I look up to because they carry that belief are To Write Love On Her Arms, Invisible Children, Be Good To People, and charity: water. These organizations rely on art, design, and creativity to fight for a cause they believe in. I think that’s a great thing and definitely something I’m looking into developing and possibly starting up.

Personally I will always strive to be recognized as “someone who dreams big and follows it,” and to inspire others through my life and work. I am always up for sharing what I know with people to bless, benefit, and inspire them.

TH: Any words of wisdom to share with your fellow artists?
Cedric: Follow your heart and keep it real. Artists have the biggest hearts and dreams. I think that’s the most important thing to keep as an artist. No matter what you do or how long you’ve been doing it, never lose your heart and your dream.

Check out some of Cedric’s favorite work at his website and follow him on his Twitter.

When we asked Asya to tell a little bit about herself, we realized that her success is not an accident, quiet the contrary – it’s a natural consequence of her enormous talent and hard work.

Asya: I was born and lived all my life in Moscow, Russia and I have been a creative designer for about 6 years, but  in the  film industry for only 4 years. Currently I am a free-lance worker (best works are available here) and a blogger, analyzing and reviewing film posters. However, I don’t limit myself on working only on movie posters. I also gladly design posters for music concerts or other interesting projects. Besides that I am really interested in calligraphy and game pixel-art.

TH: Tell us more about how you became a designer and what drew you to film industry?
Asya: My professional career began right after graduating from Moscow Publishing and Printing college. I was lucky to have an opportunity to work for two advertising agencies, but it became very clear to me – that field was not for me! It was more similar to the work of microwave or printer than art. My work was limited to drawing under strict supervision and guidelines from several managers and clients. Moreover, those guidelines often were inconsistent, and I had to take the responsibility for even slightly stepping away from any of those many many requirements. Also I realized I wasn’t interested in designing posters for  bank, financial or similar institutions. Later on, my friends invited me to join them at the DVD and CD distribution company, which landed me a work in a big movie distribution company. That is when I understood that I love working in film and music fields, and that is exactly what I want to spend my life doing.

TH: We see that you have accomplished a lot. How long did it take? 
Asya: I have been designing film posters for 4 years, but it was during my second year when I really I realized my interest in the field. Besides I met a person in the workplace who became my mentor – he had more experience in poster design and he graduated from  British Higher School of Art and Design. TH: What is your own favorite work?
Asya: All my works are more or less my favorites, at least the ones that are displayed on my website.

Th: What inspires you and your work?
Asya: Outside world, world of metal music, social media, website theshiznit.co.uk, review by Nostalgia Critic, dark fashion and, of course, works of my favorite designers and illustrators. The Criterion Collection as my works reflect those album covers. Besides that I am a huge fan of Prologue Studio, especially their work for Sherlock Homes movies.

TH: The world doesn’t stand still and every specialist has to constantly evolve. What are your ideas about this?  
Asya: In my opinion, evolving as an artist and increase in skills comes through experience, and only if you truly like your job. Right now I am trying to raise enough money to enroll in the British design school course. In my free time I work on projects and briefs for freshman graphic designers at British Higher School of Art and Design. In addition I design posters for my favorite movies or simply transform my creative ideas. I prefer to combine hand-made and drawings with Adobe editing software. 

TH: Asya, what made you decide to participate in the Amazon Studios Creative Invite? 
Asya: I stumbled upon the information about Amazon Studios poster competition on website free-lance.ru and said to myself, “It’s my field! If not me, then who?” After reading all the movie descriptions I thought it would be interesting to create a horror-movie poster since I have lack experience in that particular genre. And here I am, among finalists and being interviewed. I suppose now I will feel more comfortable participating in that sort of competitions.

TH: We  look forward to seeing your new works. What other plans you have for the future? 
Asya: I have lots of plans! For example, to create a game with my pixel graphics or a monthly magazine devoted to dark culture and music. But my big goal is to open my own creative agency with a small concert hall.

TH: Do you have an advice for our participants?  
Asya: Considering the amount of competitions on Talenthouse, I think the most important thing is to decide what really interests and excites you. The more you like the field of your work the more likely is that other people will like your work. And of course, good luck!

Los Angeles

As mentioned previously, the city-wide display “Pacific Standard Time” is showing through this spring. Californian art gets the royal treatment in this exhibit, which has pieces stashed in places like the L.A. County Museum of Art to the California African American Museum.

New York

The Whitney Biennial 2012 (March 1-May 27, select programs through June 10) and the New Museum Triennial: “The Ungovernables” (February 15-April 22) will lead off the NYC art scene. The latter will feature thirty-four artists, artist groups, and temporary collectives, totaling over fifty participants— all born between the mid-1970s and mid-1980s. Many of these artists have never been exhibited in the United States. Its exhibition title, “The Ungovernables,” is inspired by the concept of “ungovernability.” It’s meant to suggest anarchic and organized resistance along with dark humor about the limitations and potentials of this generation.

In June, the Studio Museum, El Museo del Barrio, and the Queens Museum of Art will collaborate to launch the multisite exhibition “Caribbean: Crossroads of the World.” It will feature art from the Caribbean and offer up new ideas about Caribbean contributions to art and culture.

Europe

The Tate Modern in London is impressive unto itself, as its architecture facilitates the flow of engagement between audience and art. A restrospective on the works of polka dot queen Yayoi Kusama opens in February.

Arts in Marrakesh Biennale, Morocco (February 29-June 3)
Paris Triennial (April 20-August 26)
Berlin Biennial (April 28-July 1)
Manifesta, Belgium (June 2-September 30)
Documenta, Kassel, Germany (June 9-September 16, September 30)

South America

Havana Biennial, Cuba (May 11-June 11)
São Paulo Biennial, Brazil (September 8-December 9)

Africa

Biennial Dak’art, Dakar (May 11-June 10)

Are you showing your work this year? Let everyone know in the comments!

Photo credit: Urban75

The Mobile Playground Campaign will bring delight to children and families alike thanks to a collaboration between GoGo squeeZ and Dr. Alice Wilder, the producer of Blue’s Clues. Your expertise is needed to create a stunning official logo for the Mobile Playground Campaign!

Not only is this Invite tied to a truly adorable campaign, it also boasts some amazing incentives. The logo will roll through the United States all summer, be promoted on GoGo squeeZ’s social media channels, website, and additional ‘Pass the Play’ tour assets. The winner will also receive $3000.

Dr. Wilder and GoGo squeeZ will choose one runner-up, whose submission will be featured on GoGo squeeZ’s social media channels. They will receive $400 as well.

The highest-voted artist will receive $500 and have their submission featured on GoGo squeeZ’s social media channels.

We’re ecstatic about this one-of-a-kind Invite and hope to see some great submissions by March 1, 2012!

One winning video will be featured as the song’s official music video on Youtube, VEVO, MUZU, Daily Motion, and other key digital platforms. This will open doors to millions of views worldwide. In addition, the creator of the winning video will receive $1000. The video should stylistically align with past Morning Parade videos and the song’s uplifting vibe.

Morning Parade will also designate three runners-up, whose submissions will feature on the band’s social media channels. Each runner-up will receive an exclusive merchandise bag from EMI, including a signed Morning Parade album!

The highest-voted artist will also have their submission promoted on the band’s social media channels and will receive a Canon digital camera (valued at £175) and an exclusive merchandise bag from EMI that includes a signed Morning Parade album.

You have until March 12, 2012 to submit your video! Best of luck!

Photo Sources: 1 / 2

1. Discover your go-to shooting app and keep it within thumb reach on your home screen.
2. Get comfortable shooting with one hand.
3. Play with lighting and exposure effects by tapping on different areas of the screen.
4. If the image is well composed, don’t delete it! You can work wonders with apps!
5. Capture different patterns and textures and consider using them as layers in various apps.
6. Few apps meet all your creative needs. Use multiple apps to create your own personal style.
7. Back up your photos often and keep your apps up to date!
8. Go to “Settings” to adjust photo app settings for maximum image quality on capture and save.
9. Keep a charger or battery pack handy. Taking photos and editing in multiple apps is taxing on the battery.

View this article on GeekSugar.com!

Do you have any of your own iPhoneography tips you’d like to share?

Numerous musicians have joined Instagram. Through photos, you let the fans see what goes on backstage when they’re not performing on stage. It helps the fans develop personal connection with the band. The key to staying connected with the fans is by sharing across all social network outlets. By doing this, all your fans stay connected, even the ones who don’t use Instagram.

Getting creative and artistic with your pictures by using the filters or using a fun #hashtag will also attract more followers as well as marketing yourself to a new audience.

Here are some of the amazing Instagram photos of our offices!

Los Angeles office (Filter: Nashville)

Palo Alto office (Filter: Toaster)

Right now Instagram is only available as an iPhone app, but Android app is on its way!

This project reached 2,253,186 people. Active participants averaged:

• +53 New Supporters
• +115 Shares & Comments
• +16,364 Social Reach

When Hurricane Irene passed through Bridgeport, Connecticut, last year, it left behind toppled trees, ruined buildings, and flooded streets. Yet in the midst of the resultant destruction, there was “that sense of peace and beauty that occurs after a storm has hit,” observes Chad Anderson, photographer and winner of Dev’s Talenthouse Creative Invite.

Radio star Dev was looking for a photograph to capture the spirit of her debut album, The Night the Sun Came Up. Chad’s submission, “Reflections,” with its vision of the strange tranquility created out of an otherwise devastating meteorological phenomenon, was personally chosen by Dev as the winning piece. This earned Chad promotion via Dev’s social media channels, a $1000 gift card, consultation from Dev’s album cover photographer GL Wood – as well as the chance to meet, greet, and photograph Dev as she performs onstage.

A Connecticut native, Chad was keen to catch the visual beauty that fills his submission, “especially,” he states, “in a city that traditionally only gets recognition for the negative things that occur within its borders.” Indeed, Chad was so successful in his attempt at removing the stigma attached to his beloved city that his friends believed the picture—shot with his iPhone 4—to have been taken in some luscious tropical location. “I laughed because no one really believed it was Bridgeport, Connecticut,” he says.

A snowy scene in Bridgeport, Connecticut.

“Reflections” was shot at Bridgeport’s Seaside Park, and came about entirely through artistic instinct.  Chad couldn’t shake his “gut feeling to go back [to Seaside] and shoot the water damage the storm had caused to the concert grounds,” and, as any viewer can attest, the end result does justice to his instincts. This intuition has been carefully nurtured not only by Chad, but by his family, too—a family whom he credits as being an important source of artistic inspiration.

In fact, it’s his family that first recognized his talent as a photographer: “In high school I shot my brother’s band at Toad’s Place, a music venue in New Haven, Connecticut. After the show, I was really excited to show my brother and his bandmates the photos I had taken. I kept telling them, ‘You have to check out these shots.’  Once we all got home that night, I brought down my computer. The looks on their faces were ones I’ll never forget. My father walked in and asked if the photos were taken by the guy who had just done their promo shots a few weeks before. My brother pointed at me, with his eyes in a state of amazement, ‘No, Chad took these.’ My father then looked at me and told me I had a gift and I shouldn’t let that talent go to waste.”

B.B. King onstage in Bridgeport, Connecticut, 2011.

To cultivate this talent, Chad strives to continually shoot new subject matter. He’s photographed everything from food (“By shooting something simple like food, you have to be on the top of your game. You don’t have time to fix your aperature or ISO,” as the food looks best when it’s freshly prepared) to Yankees games (“Shooting fans allows me to improve my skills at photographing people. I’ve figured out that focusing on the little things that make people feel good about themselves ends up helping me…capture that perfect moment”). But his true passion lies in photographing musical acts. “Music inspires me the most,” Chad admits. “I love that each show and act is so different. No one moment is exactly like another, it’s always changing.”

A promo photo of the Stepkids.

In covering concerts and music festivals, he has formed strong friendships with fellow photographer-attendees. For Chad, the camaraderie that’s created between photographers jostling together in the pit at any given concert is invaluable. Such friendships yield constructive artistic collaborations; as Chad is quick to point out, “After each festival, everyone checks out each other’s work and leaves comments for one another. It’s a great tool! When we all post photos of events, it’s amazing to see how we covered the same event, stood next to one another, and yet we all saw things differently.”

Of course, taking pictures in the midst of other talented photographers never fails to generate a healthy sense of competition. Chad is good-natured about it: “I always wonder if I am going to get that one shot which will trump over all other photographers in the pit. It helps keep me on my toes.”

Professional success has come slowly but surely. And artists, take note: you never know who may be watching you as you work. While taking photos at an Eric Clapton and Steve Winwood concert in Madison Square Garden, Chad was approached by a staff member of Where’s Eric, a UK-based Eric Clapton magazine. “He thought I should submit some of the photos I had taken since he had been looking over my shoulder when I took them,” recalls Chad.

The result? Chad’s first credited publication. Gradually, more commissions started rolling in. “When I was asked to take photographs for two new albums for local bands, Caravan of Thieves and Saint Bernadette, as well as help with some promo shots for them and The Stepkids, I felt like my art was starting to speak for itself. I was starting to actually make it as a photographer.”

Anyone who’s seen Chad’s work can concur—he’s definitely made it, and he’s made it with grace.

The Talenthouse crew is proud of Chad and his success, and hopes that he will continue to serve not just as a lens for Bridgeport, but for the world as well. Congratulations, Chad! To see more of Chad’s work, check out his website.

1. Mareike Zimmermann,”Leona Lewis Bühnenoutfit”

2. Christina Phan, “Where Troubles Melt Like Lemon Drops”

3. Aurora Wilson Dyer Gough, “Dress for Veronica Webb”

4. Valerie Vizuete, “Florence as a Waterfall”

5. Roxana Georgescu, “The Double Outfit”

6.Lucy Mullaly, “Feminine and Fearless”

7. Olga Karakus, “Gold Queen”

8. Keith Allen Bloom II, “Lioness”

9. Josie Smith, “Believe”

10. Mairead Lee, “Orion”

11. Daniel Muñoz, “Spring Love for Leona”

12. Roxana Porumbacu, “Inspired”

13. Mario Rodriguez, “Mario Rodriguez for Leona Lewis”

14. Jennifer Chalbaud, “JC”

15. Nthiran Krishman, “Sheer Illuminance”

Photo Credit: Chris Jackson/Getty Images

A spokesperson called Jacobs “a longtime fan of Kusama” and revealed that Kusama’s artwork will be displayed in the Louis Vuitton flagship store on New Bond Street when the collaboration launches in stores in early July. Louis Vuitton is a sponsor of Tate Modern’s Kusama retrospective, which kicks off in February.

One of Kusama’s most notable recent contributions stems from her participation in the Walking in My Mind show, hosted by the Hayward Gallery. Her display involved the wrapping of trees along the Southbank in red and white spotted tape.

Her Obliteration Room in the Queensland Art Gallery show Look Now, See Forever was a sight to behold.

What are your favorite fashion collaborations of the past? Any dream collaborations? Let us know!

Photo Credit: Zilla

Filmmakers can submit a story-driven 15-minute video February 2-March 31. Scott and his team will select 50 semifinalists and let Youtube users narrow the field to 10 finalists. Those 10 shorts will screen at the Venice Film Festival in August, where Scott and a jury will elect a winner.

That winner will receive a trip to the festival and a $500,000 grant to work with Scott’s production company.

Nate Weinstein, manager of entertainment marketing at Youtube, said the company wanted to emphasize the global nature of the competition. Regarding the purpose of the endeavor, he said:

We’re always happy to see alternative routes being paved for aspiring artists! We love incentives for artists to get their work out there.

Photo Credit: Jonathan Kos-Read

Let’s hear your thoughts on this project!

The album, ‘Sounds of the City,’ features some of the best sounds and aspiring artists from the United States including ‘Dre’s Awakening’ and ‘Paper Clips.’

The winning submission will be promoted on the IFC Network and Record Store Day‘s social media channels. The winner will receive their own feature and a $1000 cash prize.

A runner-up and a highest-voted artist will each have their submission featured on the Sounds of the Cities and Rainmaker Management’s social media channels and receive $500.

This is great exposure for a designer! We look forward to seeing your submissions by February 23!

Jason will receive global exposure, as his poster will be promoted on Amazon Studios’ official website and across their social media channels. He will also be rewarded with a $1,000 cash prize.

The finalists, two-runner ups chosen by Amazon Studios will have their submissions featured on the Amazon Studios site. The highest-voted artist will also have their submission featured on the site. These finalists are Ahmet Arif of Turkey, Chad Kennerk of the United States, and Marcel Salentin of Germany.

Congratulations to the winners! We love providing our community with so many options, and we appreciate Amazon Studios for teaming up with us to bring so many opportunities to the table.

Be sure to check back for more Creative Invites as the year progresses.

TH: Who has had the greatest influence on your art?
Manuel: I could mentioned many, but there are two that have been essential. Pedro Manzano, venezuelan artist, was who instill my interest for art. He showed me figure drawing which now I consider a great foundation. I took his classes being a child and with time I knew that art was what I wanted in my life.

Milagros Rincones, venezuelan recorder. With her I knew what was the to work in a workshop, the first contact with materials and the processes of graphic impression. A great teacher with a high level of commitment, I always say that she carries a library in her purse. She’s amazing, when she gets to class is like a ritual. She spreads out something like a table cloth and on top places all the bibliographic material for the class, and also printed material. It was, without a doubt, his workshop what hooked me into very detailed work; it was like a reunion with the materials after a long working day of digital work.

TH: What is the most important thing to you as an artist?
Manuel: I would say that every artist has a social responsibility being art sectored, there are few who can enjoy it. I like the idea that everyone can have access to art and be a part of it, if this is what they want. In the beginning of the year I started a group – PFC Caracas is its name – together with Ghicsy Rojas, friend and venezuelan artist. We create photographic activities where every participation is different, artists of other fields, citizens, photographers and photography fans are always part of these. The group focuses mainly to the event “Add a picture to the street” where the images are shown on the streets. With this, I want to say that is important for me that everyone is able to enjoy my art and to be able to offer everyone with an enriching artistic opportunity.

TH: Which is your favorite art museum?
Manuel: Here in Venezuela my favorite art museum is MAC – Museo de Arte Contemporáneo – where I had my first encounters with the work of many artists. There I got to know the work of Picasso, Jean Botero, Henry Moor, and work of Venezuelan artists like Armando Reverón, Jesús Soto, Alirio Palacios and Jacobo Borges. Also the place where I had my first encounters with videoart and digital art in the multimedia room, which is what I developed later on. In Venezuela the situation with the museums has changed a bit, but MAC will always be very important to me, as a pillar of history of art in Venezuela.

TH: What are some of your most memorable projects?
Manuel: The making of each piece has a different process, which I associate with being born, each piece of artwork is born, and many times this tends to be complicated.
However, I can mention two projects that required a lot of work and study. The first one was the video installation of “Ida hacia el macroscopio, a través del micromundo”, which it was made with resin and it took me long time to finish it. The result was very good since it gave a head start to my current research.

The second project is even more memorable to me, the artwork “Poética de un punto caraqueño”, piece that required extensive investigation of the form and the performance of the materials. It was created with acrylic sheets and clear vinyl prints, seeking an effect of transparency that all together formed the image. This is the project that is closer to my context, both, conceptually and in the photographs that were taken. The artwork was part of an exhibition in the art room “Juan Lovera’ (Venezuelan Painter) en Caracas and received recognition.

TH: How did you hear about Talenthouse?
Manuel: I found about Talenthouse through a friend, Barbara Hertiman. She subscribed to the page and ask me to vote for her. I did my own investigation about the platform y decided to open an account, since I thought it’s an excellent way to share my portfolio; being the community entirely of artists, the reach is big. Talenthouse is really brilliant to know contemporary art and to interact directly with the creators.

Manuel on the Web: Facebook | Talenthouse | Twitter

One artist will have their design displayed on on Mastodon’s official website and as the band’s official Facebook profile picture for one month. In addition, the winner will receive $1,000.

One runner-up, as selected by Mastodon and Tim Biskup, will have their submission featured in a gallery on Mastodon’s Facebook page and will receive $500. The highest voted artist will have their submission featured in a gallery on Mastodon’s Facebook page and will receive $500 as well.

Mastodon will choose the winner(s) from all qualified submissions with special consideration for the top voted entries.

1. Keep an eye out for posture

Is the sculpture standing, sitting, crouching? Pose says something. A standing figure is active; a seated one, passive. Though it’s a simple differentiation, it ties into the heart of the human condition and asks: are we active or passive in our lives?

2. Lessons in body language

Look at the arms on the sculpture. Are they oustretched? Are they pleading? Are they reaching out? Which way is the face turned? Ancient Greek sculptor Lysippos put his Hercules in a standing pose, but he was leaning and dragged down. Lysippos was demonstrating that it’s a monumental efat to stand and perform the labors.

3. Examine the physical state

Is the body young, mature, or old? What is the artist trying to present with the way they’ve built the body? While Canova sculpted Pauline Bonaparte reclining on a couch, Bernini’s Pluto portrays a mature and mighty man who is intent to possess what he has in his hands. The subject’s biography is contained in the physical morphology and will deliver clues on the message of the piece.

4. Let go of realism

As viewers, we’re often predisposed to thinking realistic figurative sculpture is designed to be an exact impression of real life. While modeled on a real subject, it’s more beneficial to look at a sculpture as a figure based on the artist’s internal system of analysis. The sculpture is a combination of a model and the artist’s personal interpretation.

• A sculptor who is architectural in his or her system or representation will emphasize structure. Bones and muscles will come across as geometric elements with an underlying sense of organization.
• A sculptor who is more narrative will create a piece with more movement. It will emphasize curves and surface fluidity.

An example is Michelangelo’s famous David, which comes off as monumental and anatomically gorgeous. On the other hand, baroque sculptor Giambologna’s Mercury (also known as the FTD symbol). Giambologna’s fascination with curves are evident in his work, as he exaggerates them in extremes.

If the sculptor is more narrative, more interested in the lively, dramatic aspect of sculpture, the piece will tend to move more, and to emphasize curves and surface fluidity. For example, think of Michelangelo’s heroic David, which has structured monumentality and gorgeously pluperfect anatomy. Now picture Giambologna’s Mercury (commonly known as the FTD symbol). Giambologna was a baroque sculptor whose fascination with curves led him to exaggerate them almost to the point of jokiness.

5. Consider the medium

The medium influences how the figure is designed. Artists tend to sculpt down to low points with marble. Clay cast into bronze, on the other hand, is built up to high points. All figurative sculptures, regardless of what they’re made of, will have a surface complete with sensory features like soft lips and smooth skin.

6. Mind your angles

Examine each piece from all angles. What is it about particular sculptures that make them beautiful in your eyes? Do the sprit or energy of them speak to you? Viewers are drawn into primal, living essence when they get lost in the beauty of artwork. This, as Slatton explains, is “the antidote to modern life.”

Do you have any advice on how to gain a new appreciation for certain forms of art? If so, we want to hear about them!

Photo Credit: Elizabeth D’Orcy

The Hall of Fame’s Director of Curatorial Affairs, Howard Kramer said:

Five Jerry Garcia guitars, Mickey Hart’s custom-painted drum kit, and artifacts from the band’s sound designer Owsley “Bear” Stanley are among the artifacts visitors will find in the exhibit. Handwritten lyrics to songs including “Box of Rain,” “Truckin’,” and “Sugaree” will also be on display. Kramer called the handwritten manuscripts “stunning.”

The artifacts are to be presented in a non-linear manner. The exhibit is unique in that the focus will not only be on the band, but on their Deadhead fanbase as well. Kramer remarked, “The story of the Grateful Dead is as much about the people around them as it is about the band themselves.”

The exhibit will open April 12, two days before the Rock Hall’s annual induction ceremony. Guns N’Roses, the Red Hot Chili Peppers, and the Beastie Boys are among this year’s inductees.  The Long, Strange Trip runs through December, giving fans the majority of 2012 to visit.

With so many classic rock bands celebrating anniversaries, which would you most like to see the music world pay homage to? Sound off in the comments!

Photo Credit: Visionary Artistry Magazine

This project reached 2,371,112 people. Active participants averaged:

• +115 New Supporters
• +274 Shares & Comments
• +18,788 Social Reach

Vincent Claire, a young Computer Science student by day, becomes Vinny by night, a budding mix artist whose work has been recognized by famous electronic music producers like Andy Duguid and Manuel le Saux. A couple of months ago, Vinny had the stupendous surprise of being chosen by Roger Shah as one of the 3 winners of Roger’s Creative Invite. Vinny’s fresh and invigorating remix of Roger’s “Dance With Me” will be featured on the track’s single release. Beyond the major gain in recognition that this will entail for him, we at Talenthouse have been delighted to learn that Vinny is already regularly in contact with Roger, sending his new mixes to the world-renowned producer “who enjoys them enormously and often plays them on his radio shows and live sets.”

That’s the kind of relationship Talenthouse is proud to make possible!

TH: Hi Vincent! Could you introduce yourself in a couple sentences?
Vinny: Hi, my name is Vincent Claire and I am 24 years old. I come from Reunion Island and am presently in the final phases of a degree in Computer Science in Lille. And I love all kinds of electronic music.

TH: How did you hear about Roger Shah’s Creative Invite and what made you want to participate?
Vinny: I first read about the contest while simply surfing on the web. I like to regularly check up on the biggest names in the electronic music industry (I do it on an almost daily basis). That’s how I saw the news about the contest on Roger Shah’s own website.

TH: What do you find attractive about Roger Shah’s music, and which aspect did you want to showcase particularly in your remix?
Vinny: There are only very few DJs/producers whose music one can easily recognize, even without seeing the title of the track; Roger Shah is definitely one of them. His sound is truly original. As for my remix, I tried to make something that really reflects my style. I like to mix genres and create a new sound. This time, I went for a combination of trance and pop music. I think that the result sounds pretty good! The voice is really awesome and fits perfectly with the rest.

TH: What was your first reaction when you learnt you were one of the winners? What do you think this success will bring you?
Vinny: I heard about my success from Roger Shah himself, when I received an email from him telling me that I had been chosen as one of the winners. My first reaction was basically WOOOOOWWW! I was totally ecstatic. I am already enjoying the “spoils” of my victory: this contest has introduced me to Roger Shah and I am now regularly in contact with him. I send him my new productions and my new remixes, that he enjoys enormously. He even plays them in his radio and live shows! I am really proud to be supported by one of the best producers in the world. It’s such an incentive to work harder and surpass myself everyday.

TH: What has your career as a DJ been like so far? Which successes are you most proud of?
Vinny: I haven’t really had a career as a DJ… I consider myself to be part of a new generation that emphasizes production over mixing. I feel that today, in order to become successful, an artist must prioritize production. As for my successes (I can’t say I have had many yet !), I would mention first and foremost my remix of Tensile Force’s Leave Me Alone (Vinny Remix). I am proud to say it has been supported by some of the biggest names in Trance, like Andy Duguid and Manuel Le Saux.

TH: Which artists have inspired and influenced you the most?
Vinny: I love all kinds of music, but to stay within the realms of electronic music, I would say producers like Tiesto, Armin Van Buuren or even Above And Beyond have greatly influenced my early years. They are symbols of success in this field, all the while having kept their music from becoming too commercial!

As for now, I would say that the music of producers like Arty, Mat Zo and Avicii are those which I enjoy most. I get a lot of inspiration from their work, especially Arty, whose sound is halfway between Trance and House. Very original and “clubbing”: I love it!

TH: What kind of projects are you trying to set up at the moment? Is there something that you aim to accomplish most of all in your career?
Vinny: I am working on my new Trance and House productions at the moment. I have already signed for several tracks to be released within the first few months of 2012. I have also been contacted for some remixes: I have a lot of those under my belt already, especially with the label Beyond Recording. We are in January, and I have already made two remixes for that label, due to be released soon.

As for the rest of my career, no doubt, I am working to get the support of more and more producers, in order one day to have a career similar to that of today’s greatest international producers (like Roger Shah for instance). Getting there would really be a dream come true for me. We’ll see, LOL!

Thank you, Vincent, for having taken the time to answer our questions. Talenthouse wishes you humongous success in the future, and we are glad to have acted as a stepping-stone for you to make you dream come true!

This project reached 14,129,104 people. Active participants averaged:

• +27 New Supporters
• +60 Shares & Comments
• +6,452 Social Reach

Adrian Jordan has always been a fan of Justin Timblerlake, so when he saw Justin’s “In Time” Creative Invite on Facebook, he jumped at the chance to design a piece inspired by one of his favorite artists. Adrian’s submission “The Time Is Now” gained a lot of attention and support, becoming one of the top-voted photographs for this contest.

To create his submission, Adrian first photographed a model friend, and then duplicated the image, reversed it, and changed the opacity for both sides.

Currently, Adrian studies audiovisual communication at University of Madrid, and he plans to continue creating with different cameras, video cameras, and editing programs, “to innovate and investigate creative possibilities.”

"Time waits, every second counts," writes Adrian Jordan of this classically pleasant piece – one of many featured in his Talenthouse Portfolio.

Inspiration can come from anything. Adrian says just strolling down the street can provide an artist with a wealth of details for observation: “The actions of individuals, the color of the clothes, the ways people walk, the climate…” Simply put, his best inspiration is “Life.”

For “The Time Is Now,” Adrian says, “I want represent, somehow, equality in a world where ‘Every second counts.’ No matter if you’re rich or poor, because what really matters is to fight every second of your life, for your dreams. The time does not give time to time, at least in this life. Leverage your time, even if you only have a few seconds.”

1. Get the right lens

You’re generally best off using a telephoto lens to get great shots of sports. A lens with a max aperture of F2.8 is recommended because it requires less light and you can always stop it down so long as the lighting permits. You may find yourself shooting more at the longer end of your lens.
Don’t spend too much time zooming in or out or you may lose your shot. 135-200mm is usually fine.

2. Use a monopod when possible

A monopod can be a lifesaver if you plan to shoot for an extended period of time. This is especially true if you are using a longer lens. A monopod can help you reduce camera shake and more effectively use slower shutter speeds.

A monopod will make the shoot easier on your body and leave you with a heightened ratio of good shots.

3. Keep your framing tight

Rather than focusing on the entire scene, keep the action at the forefront of your photos. You want to capture action at its climax without extras. Photography picks up the raw emotions that run through sports and the moments in which they occur.

4. Emotions are everywhere

Learning to shoot emotions is an important part of most photographical categories: portraits, street candids, weddings, and of course, sports.

Sports are about the players. Sports where the players’ faces are not obstructed are easier to see, such as basketball, tennis, and gymnastics. Games like football require more from the photographer because the focus shifts to body language. Learning to pick up on body language will help you photograph these sports as effectively as the others.

5. Time it right

Whether you’re capturing athletes in the air or a perfect home-run slide, great shots require high shutter speeds and often high ISO shooting.

However, if you pay attention and gain an ability to predict the athletes’ movements, you don’t always need to shoot at 8fps. Often it boils down to releasing the shutter button at that critical moment.

6. Show motion via shutter speed

Use a fast shutter speed to freeze someone mid-air or a user a slower one to pan and create a blur. This will help convey a sense of motion. As you go along, you’ll find that shutter speed is a key component of a sport’s photographer’s creative vision. With expert use you can create motion within a still image.

7. Note the time of day

Soccer games usually take place during the day, so knowing how to work with natural light is important when shooting it. Try to shoot one team for the first half, as they will be facing the sun. After half time, shoot the other team since they will switch sides of the field.

8. Eyes on the Viewfinder

Only take your eye out of the viewfinder if you get lost in the action and need to refocus. After that, pour all of your attention into what you’re going to shoot.

A common mistake that sports photographers make is called “chimping,” where they check the LCD screen to see how their last shot turned out. As tempting as it will be to chimp, try to resist. It can make you miss your next great shot or even put you at risk for injury because you won’t be paying attention to the action.

Read more at Photography Bay.

What’s the best advice someone ever gave you on sports photography?

Photo Credit: Sunova Surfboards and Alan English

“Music, education, and families are dealing with the economic times and I wanted to help them,” he said.

Eddie Van Halen and Mr. Holland's Opus Foundation Executive Director Felice Mancini pose with a few of his guitars.

He expressed the hopes that this donation will pass along the gift of music.

Last spring, Red Hot Chili Peppers bassist Flea expressed similar sentiments when he ran the L.A. Marathon to raise money for the Silverlake Conservatory of Music. He opened the school as a response to cuts in music program funding. “I was on a path that could’ve really led to disaster and the one thing for me that really kept me focused and gave me something to believe in and a sense of self-worth and a discipline was music. It was really the only reason I went to school.”

Van Halen recently reunited with David Lee Roth and is preparing to go on tour in support of their new album in 13 years. The new album, A Different Kind of Truth, drops next month.

It’s great to see musicians step up and help keep music programs alive! How did music change your life? Share your thoughts!

Photo Credit: Frazer Harrison/Getty Images

The Invite will be judged by Paul Taylor, Dance Magazine, ‘So You Think You Can Dance’ Director Matthew Diamond and two Taylor Company members. They will be selecting two dancers to receive the scholarship as well as two runners-up to receive some great rewards that you can learn about here.

Two more dancers will be awarded the title of People’s Choice for receiving the most votes. They will be given an invitation to attend open rehearsal during the 2012 Paul Taylor Dance Company New York Season, a one-year subscription to Dance Magazine, and exclusive Paul Taylor Dance Company merchandise.

To be considered for the exclusive one year scholarship (valued at $4500), dancers are invited to submit a video showcasing their dance ability and why they deserve to be chosen.

This project reached 43,215 people. Active participants averaged:

• +67 New Supporters
• +123 Shares & Comments
• +10,432 Social Reach

Andy Myers is the winning remixer for classic rock band Queen! Brian May, Roger Taylor and guest judges Justin Shirley-Smith and Kris Fredriksson have declared Myers’ remix of  ’Don’t Stop Me Now’ the cream of the crop.

Travel and two nights’ accommodation will be provided as he attends a mastering session at the Metropolis Studios in London. He will receive global exposure, as his remix will be featured and promoted across Queen’s social media channels and queenonline.com.

He will also be treated to $1,000 and an epic goodie bag containing ‘Days Of Our Lives’ on Blu-Ray, the ‘Live at Wembley Stadium’ Deluxe DVD, the ’40 Years of Queen’ book, a signed copy of ‘Jazz,’ ‘Deep Cuts’ Volumes 1-3, and Avid ‘Pro Tools 10+M Box.’

Runners-up Sean Lloyd and Lyra, chosen by the same judging panel, will receive ’Days Of Our Lives’ on Blu-Ray, the ‘Live at Wembley Stadium’ Deluxe DVD, the ’40 Years of Queen’ book, a signed copy of ‘Jazz,’ ‘Deep Cuts’ Volumes 1-3, and Avid Recording Studio.

The honor of highest-voted submission goes to Denys Gaspra, who will also receive  ’Days Of Our Lives’ on Blu-Ray, the ‘Live at Wembley Stadium’ Deluxe DVD, the ’40 Years of Queen’ book, a signed copy of ‘Jazz,’ ‘Deep Cuts’ Volumes 1-3, and Avid Recording Studio.

Congratulation to our winners! We’re so glad we were able to team up with Queen again to make this opportunity come alive, and we appreciate everyone who entered their remix!

Check back for more remix contests in the future!

The intention of the project is to publish the collection as a book and use the proceeds to fund a scholarship for an aspiring animator to attend animation school.

The other letters are courtesy of Letters of Note.

1. Disregard the odds

Here’s an excerpt from the letter by Pixar animator Aaron Hartline that inspired Animator Letters Project founder Willie Downs to start his noble effort. Aaron most recently worked on Cars 2 and Toy Story 3.

2. Listen to your inner desires

From Steve Vai, a professional guitarist who has toured with Frank Zappa and David Lee Roth. See it here.

3. Don’t lose sight of the future

From a letter by Farenheit 451 author Ray Bradbury to schoolteacher William Stanhope dated October 28, 1991. Read it in its entirety here.

4. Persistence pays off

Austin Madison, Pixar animator who worked on Up and Ratatouille. See the rest here.

5. Determination is your best weapon

From former Superman actor Christopher Reeve, addressed to a class of middle schoolers on June 2, 1999. View here.

6. Create for yourself

Pixar animator Daniel Gonzales in a letter addressed October 1, 2011:

7. Don’t let fear hold you back

In a letter to her 16-year-old self, Debbie Harry, better known as the lead singer of Blondie, had the following words of inspiration:

8. Trust your instincts

From Jeff Joe, a Dreamworks animator who is currently at work on Madagascar 3. The letter can be seen here.

We hope these words inspire you to draw from the experiences of their authors and create something great!

Do you have any special mementos that you look to for inspiration in times of doubt? We encourage you to share them!

Photo credit: Phil Hifiker

This project reached 1,093,532 people. Active participants averaged:

• +280 New Supporters
• +602 Shares & Comments
• +128,113 Social Reach

In collaboration with Playboy Magazine and Bombay Sapphire Gin, Talenthouse had the great pleasure to host a Creative Invite open to all independent filmmakers using the themes of “Imagination” and “Freedom of Expression.” These themes are not only helpful catalysts for creativity, as attested by the fantastic submissions we received, but align with Playboy’s oftentimes overlooked history of subverting stiff traditionalism in its dedication to artists and creativity.

Ray Bradbury, for one, initially published his Fahrenheit 451 through several issues of Playboy, and the pages of the magazine have seen exclusive art by Salvador Dali, and the work of famous photographers like Annie Leibovitz. Dr. Martin Luther King, Jr. appeared in an interview with Playboy at the height of tensions in the Civil Rights Movement, giving more than a bit of credence to that old chestnut of subscribing “just for the articles.”

Following the winner and finalist announcements, we recently had a chance to talk to Matt Nye – one of three Finalists – who wrote, directed, and edited a short film titled “Post-Grad Lamentate.”

Matt’s describes himself as an avid movie goer whose interests in film-making started when he was a child, gaining momentum as he delved in writing screenplays and directing for theater in high school. His passion led him to film school where his first feature length movie garnered accolades from a competition, was screened at Tribeca Cinemas, and eventually got picked up for distribution through Amazon.com. He runs his own production company titled Red Sauce Films based in Chicago. Matt’s submission, described on his Talenthouse Portfolio as the story of a man who “laments his lost love in a state of post-graduation, frozen to the idea of moving on and beyond her[...]” is posted below.

Talenthouse: Does the creative process come easy for you? What is the most difficult part about getting a project off the ground, and what are some of the steps you take when first embarking on a new film?
Matt: The most difficult part is finding the funding. I have three new projects I want to do this year – have the scripts and assembling the crew / cast. Just need the money to make it happen. People can’t work for free forever. This isn’t college anymore.

TH: Do you have a particular area in making movies you enjoy best?
Matt: I love directing, writing, editing and producing in that order. I love working with actors and crew more than anything.

TH: Do you have any advice for aspiring film-makers?
Matt: Don’t give up, get as much feedback as you can, and follow your dreams. If you think it’s worth fighting for, it probably is.

TH: Who are some of your favorite filmmakers that inspire you? Are there any other sources outside of film you draw inspiration for your work?
Matt: I have too many, ha ha. We’re all inspired as artists and we all get that inspiration from somewhere. I love Scorsese and his ability to try new techniques given his age. I have also fallen in love with television recently as it has become so cinematic and engaging.

TH: How do you gauge the status of the contemporary movie industry?
Matt: It is always changing and evolving. I came into things right when it was digital vs. film and for a while really hated digital. I just loved the look of film and the process (still do). But now you have directors like David Fincher who make outstanding digital features and it’s become acceptable, or at least now it works as a style. Film definitely still lends itself to period pieces and you see the failure of Mann’s Public Enemies where he tried to use digital.

But at least he tried something different and these new mediums are forcing us to think of different things and create different subgenres. Very exciting. … and the marketing, too, is ever changing! Everything has become viral. You see what The Dark Knight did, and there is the future of film marketing. Youtube, Vimeo… it’s all there. A very exciting time to be a filmmaker.

Still from Matt Nye's "Server."

TH: Do you have any personal websites or other media links that you would like to share with the Talenthouse audience?
Matt: Yes. I have www.redsaucefilms.com that has some previews of my work. You can also watch full short films on Youtube and Vimeo (those links are on my website). I will also be launching two new sites in the coming weeks that will have teasers for my new feature “S.O.B.” I am also now raising funds for another feature “Stay With Me” on IndieGoGo and kickstarting a pilot for a TV series based off of my short film “Server.”

The “S.O.B.” trailers I would like to premiere through Talenthouse when the time comes. Think that would be really cool. Matt’s writing and background in theater is also well exhibited in his previous submission to a Talenthouse Creative Invite, which may be turned into a pilot for a series Matt has planned. The short film “Server,” staged entirely around an internal monologue given by a waitress as she passes through the mundane, and not so mundane, actions of her day, can be seen on Matt’s Talenthouse Profile.

Congratulations once more to Matt for his contribution to
the Playboy and Bombay Sapphire Gin Creative Invite.
Keep an eye out for this filmmaker’s ongoing endeavors -
we will aim to bring you news of his projects and premieres!

This project reached 9,838,872 people. Active participants averaged:

• +58 New Supporters
• +131 Shares & Comments
• +15,548 Social Reach

UGG® Australia came to Talenthouse in search of a fresh design for a pair of their signature UGG® boots in the ninth annual Art and Sole charitable contest.

Now that the voting is closed and the selection process is finished, UGG® Australia has chosen the winner from Turkey – and her name is Buket Pamuk. The design was selected by UGG Australia’s V.P Creative Director Leah Larson, who states, “We are inspired by Ms. Pamuk’s design and her creativity behind it.  Her vision immediately spoke to us and we are happy to make it a reality.”

Buket’s design will serve as inspiration for a boot that will be produced and sold in UGG® Australia retail stores and online across the US in 2012. In addition, she will receive $5000, one pair of her personally designed UGG® boots, one UGG® bag and global exposure from having her design featured on UGG® Australia’s social media channels. A portion of the proceeds from the sale of the boots will be donated to The Boys and Girls Clubs of America.

We are so excited to share her surprise winner announcement and interview:

Also, the highest voted artist Shu Shan will receive a pair of UGG® boots.

Congratulations Buket! Thank you so much to everyone who participated in this Creative Invite. We were so honored to have such impressive submissions.

You’re looking to achieve something with this project, but it’s something that has little to do with the project itself. Maybe you’re catering to what you think an instructor or critic would like, or what you believe would sell. Good work requires every ounce of passion you have.

2. Your project does not have a clear purpose or specific goal

Your project doesn’t have a specific mission, theme, or goal. You’re chipping blindly away at something you’re unsure of. Ask yourself what you want to achieve with it.

3. You focus on your personal gain instead of creating something useful

The best art comes from the heart and speaks to its audience. If your work doesn’t come from an authentic place, it shows.

4. You don’t have an accountability buddy or partake in a mastermind group

A peer who is dependable, honest in critiquing your work, and keeps you on task is a priceless asset. Someone like this can help you see your work from a different perspective, which can be vital for the sake of improvement.

5. You’re obsessed with perfection

Striving for perfection on a first attempt is a fool’s errand. Tell yourself you can improve upon your original work later on, and ask yourself what will happen if you do not achieve perfection on the first attempt. There’s no need to fear invisible consequences.

6. You waste time

We live in a highly distracting world. Social media and TV are two of the most powerful time vacuums around. Be honest with yourself and assess how much time you’re wasting daily on these things and what they do to improve your life.

Replace that time with something more nourishing to your mind. Work would be ideal, but a class to improve your skill set or a book related to your work is a great substitute as well.

7. You haven’t picked up simple tricks to get into your creative zone

Try changing your medium – if you normally use oil paints, take a day to work with pastels. Also consider visualizing possible futures, to inspire yourself to move a little closer toward your end goal, or go for a walk.

8. You let your inner critic get the best of you

Your inner critic is like fear – it’s an annoying biological instinct meant to keep you from getting hurt. The problem is that avoiding pain contradicts your desire to succeed.

9. You overestimate your ability to multitask

We all think we’re more productive when we multitask, but it can cost more time than it saves. Every time you stop and restart a task,

10. You’re a serial procrastinator

You wait for magical moments of inspiration to come along, and hope to ride their wave to instant masterpiece. That’s not the way the creative process works. While everyone experiences a burst of genius now and then, it’s up to you to work hard the other 97% of the time.

11. You’re pursuing too many ideas

Read this post, in which blogger Derek Sivers proclaims that ideas are nothing without execution. It’s true when you think about it. Every great song you’ve heard or book you’ve read started as a seed of an idea in someone’s mind. It took a lot of hard work to get to you, and if it hadn’t been executed, it would have remained worthless for all of time.

12. You’re afraid of failure or successes

It’s not unheard of to fear success as much as failure. It symbolizes potential for a change, which many people aren’t comfortable with. Regardless of what we fear, it acts as an obstacle.

13. You’re not as organized as you could be

You don’t focus on the right things at the right points during your day. Develop a workable system and rhythm to get the most out of your day.

14. You have analysis paralysis

This is similar to perfectionism. You read and research and think of ways to improve your project, but it’s not actually getting the work done. It’s like mapping out a book without actually writing it. You go around in circles. You know how other authors write, but it’s hurting you more than it’s helping you.

15. You don’t celebrate your successes

Some successes are big, and some are small, but all deserve recognition. Celebrating your successes rejuvenates both your enthusiasm and your creativity, and emphasizes the fact that you’re a step further down the path you want to go. Look at your journey as something broken into mini-milestones – it will make it much more manageable.

Read more at Life Literacy Labs.

How do you deal when you’re stuck creatively?

Image credit: Wallpapers Wide

TH: When did you fall in love with music? What inspires you to keep making music?
Benjamin: I think my falling loving in with music occurred unconsciously at such a young age that I can’t even recall it. My mother would tell me stories about her rocking me to sleep to her Julio Iglesias cassette tape late at night to calm me down. I think from then on it just became very natural, and I fell in love with the different sounds of instruments, the rhythms, and melodies of music. My father played the guitar a lot when I was younger, and he encouraged my brother and me both to get involved with music. I started playing the piano when I was about seven years’ old and entered competitions shortly after. While playing the piano I took trumpet and drum lessons at the public schools I attended and later created beats in my teenage years. I ultimately fell in love with Hip Hop music when I was a young child. I watched the Notorious B.I.G.’s single “Big Poppa” on MTV in the later 90′s and I completely fell in love with music then.

TH: What are some of the top played songs on your iPod/music player?
Benjamin: Jay-Z’s whole “Blueprint” album gets played over and over! It’s a classic to me. Most of Jay-Z’s work dating from “Reasonable Doubt” to “Watch the Throne” gets a lot of play on my iPod. The songs that get mostly played are the ones that I feel a deep connection with or get me motivated to get my day going. Some of the songs range from Tupac’s “I Ain’t Mad At Cha”, Frank Sinatra’s “I Did It My Way”, Lloyd Banks’ “Home Sweet Home”, Fabolous’ “Y’all Don’t Hear Me Tho” and J. Cole’s “Nobody’s Perfect”.

TH: What does creativity mean to you?
Benjamin: Creativity is when a person uses both their abilities and abstract thinking together to create something new, fresh, and vibrant. Creativity comes out when one reaches their given potential at that specific time. As they continue to grow their creativity grows. Being creative gives you a step up on your opposition whether it’s in the music business, work force, writing, art, or in sports.

Creativity will not only help you stand out, but the thought process behind your creativity makes each individual special. The more creative I am, I found out the less stressed I will be in the future. Everyone’s creative in their own right, they just have the choice to dig deep and find that creativity.

TH: What are some of the toughest things to deal with as an artist?
Benjamin: The toughest thing as an artist is maintaining persistence through the hard times you face in this industry. A lot of times it takes many talented artists years before he or she is discovered, so you have to remember to keep on pushing no matter what. If you truly love what you do and want to do it for the rest of your life you can’t give up on it. It’s easy to call it quits, but if you’re that passionate about your ambitions and dreams you should never let failure cross your mind.

TH: What are you looking forward to most in this new year?
Benjamin: I’m always excited for a new year to create new opportunities through my music and my personal life.

I just signed an independent recording contract with my group B.B.M.A. and Cleveland producer/engineer Aaron “Dboyy” Dissell (iLab Recording Studio). So we’re currently working on our first studio album, preparing for big shows in the Midwest, and gearing up for music videos for the tracks off of our album. Our producer’s iLab team has worked with the likes of Lil Wayne, Fabolous, Missy Elliot, Machine Gun Kelly, and Trey Songz to name a few of their clients. My group is also in 50 Cent’s Street King Competition in which we’re hoping to win and have 10,000 meals donated to starving children in our name and have the chance to meet him in New York City (you can help us out by voting here).

I’m really hoping my music career will take off and will allow B.B.M.A. to gain national recognition. Aside from music I just want to continue improving on becoming a better man in this new year. I’m looking forward to finishing up another semester at Ashland University, being a stronger family man, giving back to my community, and building a stronger relationship with God.

Benjamin on the Web: Facebook | Talenthouse | Twitter

Think about the photo before and after, never during. The secret is to take your time. You mustn’t go too fast. The subject must forget about you. Then, however, you must be very quick.

The words of Henri Cartier-Bresson, the legendary pioneer of street photography, evoke the necessity for quick reflexes to capture what he famously dubbed the “decisive moment.” A hot new commodity during his time (and still asking a pretty penny these days), the Leica rangefinder mounted with 50mm or 35mm lenses was a favorite of Cartier-Bresson’s.  Stalking his subjects and avoiding their gaze, this camera allowed him to stay extra mobile. He would wait with the camera in pocket until he felt the decisive moment—that split second which encapsulates the narrative of a given scene—apprehending it, then, in his own mechanical eye.

Cartier-Bresson’s decisive moment of three onlookers attempting to peek over the Berlin Wall

If you want to try shooting photos on equipment like Cartier-Bresson’s but don’t have the extra Benjamins lying around for a vintage Leica, let alone a lens that goes with it, consider a few cameras manufactured behind the Iron Curtain in the good ol’ USSR.

In the same vein as nuclear technology and rocketry, the Soviets borrowed Leica camera designs in the 1930s and followed to adapt manufacturing practices after seeing German camera factories during WWII. The two Soviet models most closely matching Cartier-Bresson’s Leicas are the Zorkii—meaning “clear-eyed” in Russian—as well as versions of the FED, named after the founder of the Cheka (a precursor to the KGB), Felix Edmundovich Dzerzhynskii.

These cameras can pack a punch due to their metal-cast frames and solid weight.  Being rangefinders, opposed to the bulky SLRs, they can also fit in your pocket. What is great is that the Soviet cameras use the LTM, or Leica Thread Mount, meaning that Soviet lenses like the Industar can fit on a Leica body, and vice versa. But this is not to underestimate the quality of the Soviet copies. Though definitely not equals to Leica bodies, as any “Leicaphile” would jump to admit, nor the lenses that of Zeiss quality, Soviet glass still offers amazing clarity, and the cameras are solid, dependable, a fraction of the price, and very fun to shoot with.

This is a good site that serves as a short introduction to the world of Soviet cameras, including various tutorials on how to handle them properly. Also a quick Wikipedia search will give you pages of information on the various models. If you browse Flickr, like this user group focusing on photographs taken only on Soviet equipment, you will see the capability of these cameras. Most users contribute the specs of their respective photos, including the body, lens, and film type they use. Also, it is quite surprising to see how wide-spread the users of these cameras are, and to see where pockets of Soviet camera enthusiasts have cropped up, more than a few hailing from Finland and Argentina.

So, if you are thinking about doing a bit of manual photography on a budget, check out these vintage Soviet cameras to capture your very own decisive moments.

Their website reads:

Jedidiah’s partner organizations focus on raising money and awareness for life-changing causes. The clothing Jedidiah produces for each partnership is creatively inspired by the cause the profits will benefit.

This is where Talenthouse, and plenty of talented designers entered the picture. Switchfoot came to our community in search of a new hoodie design inspired by their album ‘Vice Verses’ and as you may know, Cedric Cha of Malaysia created the winning design. His hoodie, distributed by Jedidiah Clothing, is currently on sale and proceeds from every sale benefit StandUp For Kids.

StandUp for Kids is an organization dedicated to supporting and caring for homeless youth. You can read more about them here.

TH: How would you describe yourself in 5 words?
Camille : I would say: ambitious, passionate, clumsy, calm and untidy.

TH: You design clothing, take photos, sketch… when and how did you know that fashion design was truly your calling?
Camille : I’ve always loved drawing, painting, crafts, and all creative activities. I started to become attracted to clothing and fashion when I was 13 years old. I wanted to draw the outfits that I dreamed of wearing, and soon found that I enjoyed it enormously. When I found out that I could make a living out of it, I knew immediately that it was the perfect job for me!

TH: Which project do you consider to be your first big success?
Camille : In my last year of high-school, I met an event organizer who was looking for a designer to put together a collection of evening dresses for a show at one of their private events. They picked me, and I worked hard to produce a small collection of dresses that were presented at a private party in Théoules. When I saw that people loved my creations, and that I was able to sell every piece of that collection, I knew that this was my first success as a fashion designer.

TH: Which part of your job is your favorite, and which part do you find most challenging?
Camille : The creative process is of course my favorite. That’s the part that really engages me in this profession: creating, always creating, being able to start from nothing, with only a few threads of inspiration, and bring it together into a new and completed design.

I remain less enthusiastic about the sales process. That is, taking into account whether the design will sell or not, having to go against my inspiration in order to ensure that the piece remains attractive to the public. Indeed, if the design is too bizarre or even too original, it can be considered unwearable and people won’t buy it, even if they like it. One must admit that in order to make a living in this profession, selling is a must!

TH: Which famous designer inspires you the most?
Camille : This may sound very unoriginal, but the designer I admire the most and whose work inspired me to go into fashion was Jean-Paul Gaultier. He’s very daring, whether in his choice of models or in the way he presents his collections. For instance, at his last show, the backstage area was left visible, and there was no music apart from Charlotte Lebon introducing the collection outfit by outfit. I love his audacity and originality, I feel like I am rediscovering his work anew with each of his creations.

TH: Where do you find your everyday attires? Do you like to create your own clothes?
Camille : Funnily enough, I don’t stick to any favorite stores or styles. However, I do love searching, rummaging around everywhere that I go, looking for the perfect find! I also love vintage and second-hand stores. Not those that stick to old-but-still-fashionable clothes that end up resembling any ready-to-wear chain. I’m rather attracted to those where it’s still possible to find hidden gems, items that one would be hard-pressed to find today!

I have never designed clothing for myself, and am not interested in doing so. Rather strange, since I realize that it would be the easiest way to showcase my work. But the reason why I love this job is the opportunity to create for others, create an ideal, make people happy by offering them their dream outfits.

TH: What now? Tell us about one of your current projects!
Camille : At the moment, most of my time is taken up by my studies at SupDeMod in Lyon, where I started in September. I began my career on my own, but I found that I hit a point where my insufficient skills and knowledge were limiting me. I realized that learning on my own only was not an option if I wanted to realize my dreams. After a few months only, I’m already finding that this school has taught me a lot. So I plan to finish my preparatory year first, then go on to a Bachelor’s degree in Fashion Design. Then, if I can afford it, a degree in Marketing or Management.

In December 2011, I started volunteering with an association called Tanaron, a partner of Handicap International. I will be customizing a pair of shoes as part of the “A Shoe for Kanha” (“Une Chaussure Pour Kanha”) movement that will be sold to benefit Handicap International. The money will be used to finance a trip to France for Kanha, a young Cambodian girl who lost her leg in a land mine explosion. The aim is to remind people of the persisting problems linked with land mines and cluster bombs and of the hundreds of victims they cause. This project immediately grabbed my attention, I felt that creating for this noble cause was a very important thing. It’s one way to realize that there are real problems beyond the realms of our comfortable little world.

Finally, I’d also love to find the time and the inspiration to participate in one of the many fashion contests available to us young designers to help us gain exposure and succeed.

TH: What inspires you to dream? Is there something that you would love to accomplish more than anything in your life?
Camille : Like any other artist, I guess, recognition for my work. I assume that’s the dream that everybody is working towards, gaining recognition for what we do. At least it’s the case for me!

As for now, I try to remain focused on the task at hand, but I will do everything in my power in order to succeed. The greatest achievement would be to be able to support myself with this career, or rather with this passion, and beyond that, to be recognized for what I do. That’s the plan!

TH: Thank you Camille for taking the time to answer our questions. Talenthouse is extremely impressed by your talent and we wish you all the best in the future of your career!

Camille on the Web: Website | Talenthouse | Twitter

The fifth annual Project for Awesome launched Saturday, December 17. Participants uploaded homemade videos about their favorite causes in order to raise awareness. Each video streamed live for 24 hours, raising awareness for causes that ranged from curing cancer to helping disadvantaged students make their way to the prom.

Votes are currently being tallied for the most popular causes. The top five causes will each receive 20 percent of the raised funds.

Co-founder Hank Greenberg wrote on the organization’s website:

Video producer Bing Chen made a video for the American Cancer Society and dedicated it to his father, who died from cancer. The video, entitled “Screw Cancer With Birthdays,” asks people on the street about which age they’re most looking forward to.

Last year Josh Sundquist raised $10,000 to get 6-year-old Taylor Miriam a service dog. Miriam suffers from roughly 16 seizures a day. Her new dog, Heaven, is able to sense when she has an oncoming seizure and is trained to get her the help she needs. Sundquist made a follow-up video this year to give donors a sense of what they have helped accomplish. In the video, Taylor appears with her guide dog and gives a thank-you message to viewers.

While Sundquist acknowledged that the project is not meant to be a competitive, it’s a great way to drive participants to produce their best work in the name of their cause. We see this as a heartwarming union of artists in the name of a great movement, and a testament to the power of social media! Not anyone can make an engaging Youtube video, which makes us especially happy to see filmmakers focusing their efforts on selfless endeavors.

Read more here.

What other examples of charity-driven actions have you seen from other artists? We’d love to see you share links and stories!

Artists from all over are invited to submit their most creative designs for the chance to receive travel and four nights’ accommodation in Chicago for a VIP experience at a major US music festival!

One runner-up and the People’s Choice will have their submissions featured on Thievery Corporation’s Facebook page and will receive two tickets each to a Thievery Corporation’s show and a signed copy of Thievery Corporation’s new album.

If you’re a designer who is a big fan of music, this is your opportunity to shine!

1. A Special Video Message by Alex Forstenhausler

A nerdy college freshman inadvertently treats his parents to a dorm room soap involving his roommate, a Tae Kwon Do champion, and a cheating girlfriend.

2. Game by Addison Goss

You’ll want to watch this one from beginning to end, because the twist makes the comedy. It plays out in a dramatic light at first, but its final moments are guaranteed to leave you satisfied. Extra props for impressive lighting.

3. The Unexpected by David Dineley

This heist trailer features a crew of miscreants and the shenanigans that surface when they attempt a robbery.

4. Boomerang by Andy Nguyen

Watch one man’s quirky dilemma as he tries to break up with his girlfriend while wrestling his inner conscience, which nags him in the form of a film crew. Cool effects and a cute soundtrack light this short up.

5. Imagination Defenders by J Sisters Films

This short pays homage to the superhero genre as two girls moonlight as imagination defenders to keep the human spirit from going extinct.

Photo credit: Fenstermacher Photography

TH: When did you first learn of your interest in the arts?
David: I’ve been in love with art since I can remember. It was my first “practical” career choice, which to my parents wasn’t very practical at all, but before being an artist, the only thing I wanted to be was Batman. My idea of art has changed, though.

Nowadays I navigate between art, illustration, and design and I’m loving every minute of it.

TH: What is your favorite or most exciting aspect about being an artist?
David: I think the most exciting part are the opportunities that are open to you. You get to work with creative people from all kinds of different backgrounds, and no matter what you have something to offer them: whether it’s a concert poster for a musician, a book cover for an author, or a website for an actor.

TH: What advice would you offer to someone else starting out in your field?
David: To someone starting out, I’d say two things. The first is that sleep is a luxury you can no longer afford. You have to really work your butt off to get your name out there, especially when you don’t know anyone and you have zero references.

The other would be to not be too proud. A lot of contacts and opportunities have come from being a nice person and doing a little bit of free work. It’s not ideal, but it’s a good way to get your work noticed and build your portfolio. Just make sure that if you are going to work for free that you’re doing the RIGHT work: stuff that you really want to be doing.

TH: If you could only use 1 color (besides black or white) in your work, what would it be?
David: I think it would have to be the color red. I don’t know if I’d say that’s my favorite color, but it’s so loaded. I could mean love, hate, blood, etc. There’s a lot you can do with it.

TH: What does creativity mean to you?
David: To me, creativity is a muscle. It’s not something that you can just turn off an on, like logging into your inbox with divine inspiration waiting to be read. It’s something you have to practice and keep working at, even if it’s just a little every day: sketching, keeping a journal, or anything that builds that muscle. That way when you need to flex, you’ve got a lot to work with.

This project reached 4,812,746 people. Active participants averaged:

• +45 New Supporters
• +102 Shares & Comments
• +15,371 Social Reach

Grammy-winning band Switchfoot teamed up with Jedidiah Clothing and Standup for Kids recently to produce a charity-raising hoodie, and Talenthouse’s own Cedric Cha has created the winning design. Cedric’s amazing design, which pays homage to Switchfoot’s recent album ‘Vices Verses,’ was chosen by the band and is available for purchase here!

In addition to having his hoodie worn by Switchfoot fans around the globe, Cedric will receive $1500. His hoodie will be featured on Switchfoot’s social media channels.

The band also chose a runner-up, Teguh Anggara who will be honored with exclusive band merchandise, exposure through Switchfoot’s social media channels, and a $100 gift certificate to Jedidiah’s online clothing store.

Congratulations to our winners, but more importantly, thank you to everyone who sent in a submission! We were so honored to have such gracious hosts for a great cause topped off with so many impressive designs. We hope you’ll stay tuned for the awesome Invites 2012 is sure to bring!

This project reached 1,918,400 people. Active participants averaged:

• +77 New Supporters
• +172 Shares & Comments
• +16,357 Social Reach

American Idol runner-up Lauren Alaina partnered with Justin Boots and Talenthouse to host a fun project. She invited artists to submit a design for a pair of Justin Boots for the chance to have them produced and worn by her. The designs submitted were spectacular and we’re excited for this winner announcement.

After careful consideration, Lauren selected Shanna Rossi‘s two-tone boot design!

Shanna’s design will be produced by Justin Boots for Lauren Alaina and as the winning designer Shanna will receive a signed pair of the boots worn by Lauren Alaina and a signed copy of ‘Wildflower.’

For this Invite, three runners-up (selected by Lauren) and the People’s Choice will each each receive a signed copy of ‘Wildflower’ and will have their design featured on Lauren Alaina’s Facebook page.

Runner Up/Highest Voted Kathy Metzger of Georgia

Runner Up Jenna Starosta of the United States

Runner Up Camila de Souza of Brazil

People’s Choice - Emily Ellison of the United States

Congratulations to all of the artists named above and thank you to everyone who participated!

How do you feel about working alone?

Freelancing can get pretty boring sometimes and working alone is not something everybody can do. If you find enjoyment in working with people in a group, then freelancing might be something to avoid.

How about motivation?

Think of all the moments when you will need to step it up a notch without anyone pushing you. Can you push yourself? Deadlines are always tight and you always need to meet them in time.

Are you pleased with just enough money?

Freelancing for extra money is a bit different from freelancing for a living. Unlike what everyone thinks, freelancing does not fill your bank account too much.

Do you have future plans?

Will you be a freelancer forever or do you just want to do it now until you will be able to find an agency job? Do you wish to hire some more employees to work with you and turn your freelance hobby into a professional small company? Do you wish to work your way up in the freelance world and become well-known all over the internet?

For more in depth questions and answers visit Christian’s post on 1stwebdesigner.com!

London’s first single was released exclusively online and he found massive success in webcasting a concert that helped catapult his career. Social media has played a fundamental role in his tour booking and bringing his videos to MTV, so he is more than familiar with its potential.

he said, going on to express his inclination toward modern technology. He believes that the Internet creates opportunities for aspiring artists of all ages. He loves what Bing and Talenthouse do for their communities and wishes there was more awareness of projects like Creative Invites. London believes that the younger generation understands the web and is onto something major.

To emerging talent, he emphasizes the importance of putting yourself out there. “Build a great team,” he said, also adding that a set of hot photos, a good lawyer, and a strong marketing plan are an important part of the equation.

In regards to his own work and, by extension, creative process, he said he draws influence from past experiences, photographs, and memories.

The year ahead looks like a major one for the MC, who plans to release a new album called ‘Love is Holiday 2.’ It will feature 25 fresh new tracks – but first he plans to wrap up the remix project. For aspiring DJs, producers, and remixers, there are still a couple weeks left to submit your remix of London’s song ‘All Around the World.’

He’s excited to be a part of this and can’t wait to hear all the great tracks. Most of all, he looks forward to giving a young artist a great opportunity.

Gary McAndrew AKA Swigg is an aspiring musician who found his love of music at the tender age of eight. His mother was always playing music and later learned that music was a big part of his father’s life as well. He is currently the head producer at 1/3rd Productions where he, along with his partner, strive to expand and build a dream team to help achieve great success. We had the pleasure of interviewing Swigg and here is what he had to say!

TH: Who or what inspires your music?
Swigg: My music inspiration has always been a calling from inside ever since I was a young boy. I grew up always wondering how I could have a part in music history and it just so happened, with the help of one person. This person has not only been my friend for 13 years, a life coach for me and my family, an inspiring visionary, a brother, and one of the most influential leaders I have ever had the opportunity to learn from, but he is also the person who placed the canvass in front of the painter. His name is Brad Osier and he would tell you he grew up watching a man that lived, breathed, and dreamed music. I have to say thank you to Brad because he single handedly in one night took me from a man with ideas and no tools to create, to man that had nothing to hold him back. Trust respect loyalty and honor!

TH: What is one song you secretly like that your friends would be surprised to know?
Swigg: Believe it or not Brad and I started writing country music in our earlier days. The shocker comes with this… Tim McGraw “Something like that.”

TH: What is the most important lesson you’ve learned about your career?
Swigg: The most important lesson I have learned about my career is that there are things we as people can control and there are somethings that we are not able to control.

TH: What advice would you offer to someone else starting out in your field?
Swigg: The best advice I can give to someone in my field is never accept boundaries or limits from outside influences. These type of distractions can be anything from people who want to tear you down and strip you from your dream to everyday life tragedies. No matter what happens in your life remember you are here on earth and you have a dream or goal, what ever you may want to call it, and that dream/goal needs to be fulfilled. It is important to understand that no matter how small or big a goal or dream is, it usually always affects a lot of peoples’ lives. Whether you decide to give it a try and give up, or decide to not take no for an answer and go after it no matter what it takes, there are people counting on you to do SOMETHING! Why not do it? And if your going to do it… why not do it big?

TH: How did you hear about Talenthouse?
Swigg: I heard about talenthouse.com through a good friend and musician Angilo Kilo Fletcher. He was my neighbor when i was just starting to put music together and he told me about this web site ” talenthouse.com” that holds contests that could help you get your name out. I remember when I first went on to talenthouse.com and I found the creative invite that Ryan Leslie was holding……..!!!!!! All I have to say is:

Thanks talenthouse.com for all that you have put together its been a true blessing.